El 11 de mayo el mundo celebra el Día Internacional de la Canción Artística latinoamericana e Ibérica una oportunidad para despertar el aprecio por la canción artística en español, portugués y catalán y destacar a los compositores, poetas e intérpretes que han contribuido a crear y preservar este importante parte del patrimonio musical mundial.
Para celebrar este importante día, Mundoarts y el Festival de la Canción de Barcelona organizan un concierto global con cantantes de todo el mundo. Para participar es necesario enviar un video interpretando una canción artística en castellano, catalán o portugués antes del 4 de mayo. Un panel de expertos seleccionará a los 12 mejores cantantes para participar en el concierto online. El desafío está abierto a cantantes de todas las edades y momentos de desarrollo vocal. Esta no es una competencia, es una oportunidad para compartir nuestros talentos y amor por la canción artística y para celebrar la diversidad en la música.
Los cantantes seleccionados aparecerán en el concierto Global así como en un episodio en vivo del Podcast de Canción de Arte Latinoamericano e Ibérico. Los tres primeros cantantes recibirán media beca para participar en el Festival de la Canción de Barcelona 2021.
Todos los participantes recibirán descuentos en partituras, clases y en Mundoarts.
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#iberoamericanartsongchallenge
RECOMPENSAS
El desafío de canciones artísticas latinoamericanas e ibéricas es una oportunidad única para que cantantes de todas las edades y tipos de voz aprendan e interpreten el repertorio de canciones de arte en español, portugués y catalán.
Habrá recompensas especiales para cantantes que envíen canciones en portugués, catalán, lenguas indígenas y canciones de mujeres compositoras. Las tres mejores actuaciones recibirán media beca para participar en el Barcelona Festival of Song 2021, el lugar de referencia para aprender la historia e interpretación del género de la canción artística latinoamericana e ibérica.
Todos los participantes recibirán descuentos especiales en partituras, libros, clases y CD.
Las doce mejores actuaciones aparecerán en el concierto Global Online para celebrar el Día Internacional de la canción artística Latinoamericana e Ibérico, transmitido el 11 de mayo de 2021, simultáneamente en FB, YouTube y los sitios del Barcelona Festival of Song y en MundoartsTV.
PANEL DE EXPERTOS
PATRICIA CAICEDO, M.D., PH.D.
Patricia Caicedo is a soprano and musicologist whose scholarship and performances center on Latin American and Iberian art song. She has released eleven albums and published numerous scholarly editions of scores and books, including The Latin American Art Song: Sounds of the Imagined Nations, the go-to history on its subject.
She is also an avid performer of these works, having performed all over the world in addition to founding and directing the Barcelona Festival of Song, which focuses on the performance and study of Latin American and Iberian art songs in Spanish, Catalan, and Portuguese.
She is the host of the podcast, Latin American and Iberian Art Song, in which she interviews composers and leading experts from across the world.
Patricia holds a Ph.D. in musicology from the Universidad Complutense de Madrid and a Medical Doctor’s degree from the Escuela Colombiana de Medicina. Patricia is an Executive Board Member of the International Music Council of UNESCO.
LENINE SANTOS, PH.D.
Born in Brasilia, Brasil, Lenine Santos is one of the best interpreters of the Brazilian art song of his generation. He received his doctorate in voice at the Universidade Estadual Paulista (UNESP). His dissertation was about the Brazilian Art Song.
Lenine began his musical career at a very young age with the String Orchestra of SESI, studying violin. Later on, he entered the Brasília School of Music where he studied voice. Later on he studied with the well known singer Niza de Castro Tank.
Lenine has several recordings of Brazilian Art Song and is a stable member of the faculty of the Barcelona Festival of Song since 2012.
He is a professor of voice at the Universidade Federal de Rio de Janeiro.
WALTER AARON CLARK, PH.D.
Prof. Clark’s specialty is the music of Spain and Latin America, and he is the founder/director of the Center for Iberian and Latin American Music at the University of California, Riverside.
He is the series editor for Oxford University Press’s Currents in Latin American and Iberian Music, editor-in-chief for the Ibero-American area of Grove Music Online, and he also serves on the editorial boards of Revista de Musicología, Monumentos de la música española, and Música em context.
He received his doctorate in musicology from UCLA (1992), where he wrote his dissertation under the guidance of the late Robert M. Stevenson.
He also holds performance degrees in classical guitar from the North Carolina School of the Arts (B.M.), where he studied with Jesús Silva and performed in a master class with Andrés Segovia; and the University of California, San Diego (M.A.), where he was a student of Pepe Romero.
NIKOS STAVLAS, PH.D
Born in Greece Nikos received a PhD in Piano Performance Practice at Goldsmiths, University of London under the supervision of Keith Potter and Andrew Zolinsky. His area of research is Ludwig van, a film and a musical composition on Beethoven by the Argentinian composer Mauricio Kagel.
He has participated in several competitions and won, among others, two first prizes in Pan-Hellenic competitions as well as two second prizes in the G. Thymis Competition, Greece. He has appeared several times as a soloist with orchestras in Greece and Albania, and has given solo and chamber music recitals in Greece, Albania, Italy, Spain, Belgium, USA and the United Kingdom.
He is a member of the faculty of the Barcelona Fetival of Song since 2014. He has several recordings of Latin American and Catalan art song together with soprano Patricia Caicedo.